Patricia Bennett

Instagram

Wednesday, December 12, 2012

Holiday Party at the Four Seasons, Baltimore


"Holiday Party, 2012," Patricia Bennett, 24x36" 

On Friday I painted an amazing party at the Four Seasons Hotel, Baltimore.  There was a 9 foot Christmas tree and blue lights and of course the view of the Inner Harbor out of the windows.  The flower arrangements had Christmas balls in them, as well as peacock feathers!





Friday, November 2, 2012

I'm in Style Magazine, November issue!

Hey, I'm in sTyle Magazine, thanks to a great article by Chelsea White.

Check it out!

People&Kids

PRINT  |  SHARE:          |  
Captured on Canvas
‘Live event artist’ Patricia Bennett paints parties as they unfold.

BY CHELSEY WHITE
Captured on CanvasWhen Christian and Nola Martin were married on Aug. 18th, their reception at The Four Seasons featured all of the expected elements: food and drink, a band, a cake and a photographer. But there was an additional element that was slightly out of the ordinary: In a corner of the room, fine artist Patricia Bennett stood at an easel, painting the wedding reception as it was happening.
Bennett, 35, is what’s known as a “live event artist,” a painter who captures a celebration or happening as the action unfolds. Since painting her first party in June, she’s been painting three to five events per month, everything from corporate gatherings to bar mitzvahs to weddings.
A Baltimore native, Bennett studied at The Art Institute of Chicago and The Schuler School of Fine Arts of Baltimore, but never planned to make art a career. She got into live event painting at the suggestion of a friend, and now it supplements her other fine art work. (Bennett charges about $1,500 plus expenses to paint an event.)
In preparation for painting an event, Bennett tours the venue, draws sketches and gets a sense of what the client hopes to capture, including the names of the people who should be depicted. Then, she arrives about two hours before the event to set up her equipment— an easel, a canvas, acrylic paints and often a bright light.
She first paints the scene in black and white to establish shapes and composition. Then she incorporates color and, as the event progresses, adds in people and detail. By the time the event ends, the painting is complete. Bennett totes it home, lets it dry and then signs and delivers it.
Captured on CanvasAlthough Bennett usually paints from a corner and could simply blend in with the background of the reception, she becomes a point of interest for guests, who approach with questions, including requests to paint them into the scene. “I’ve noticed that I’m able to talk to guests and paint at the same time,” says Bennett, who lives in Mount Washington with her husband and two children. “I get into a zone when I’m painting an event. Nothing can break my focus.”
Because the painting must be completed in a short amount of time, Bennett focuses less on detail and more on the event as a whole.
“Christian and I call it ‘The Monet of Our Wedding,’” says Nola Martin. “The look of the painting is very soft, and there is less specific detail.”
For Martin, hiring Bennett was a perfect way to both entertain guests and capture the spirit of the evening.
Captured on Canvas“The photos captured the little moments, like getting ready with my bridesmaids in the hotel, but the painting captures the entire evening,” says Martin. “You can really see all our friends and family, my husband and I, and the happiness we all felt together. That’s what makes it so special.” 
NOVEMBER 2012


Patricia Bennett in STyle Magazine

Tuesday, October 30, 2012

Celebration of Art paintings

Urn, 18x24, Patricia Bennett

Entering, 18x24, Patricia Bennett
Two paintings for the Cylburn Celebration of Art Show, next Saturday, text below about the show.  Both paintings are set at Cylburn Arboretum, in Baltimore City.  The animals in the top painting are actually stuffed and can be viewed in the Cylburn museum...

Tickets to the opening are 75$ and can be purchased online at Cylburn's website.
35% of sales go to support these wonderful gardens/children's programs.





 Celebration of Art at Cylburn



Cylburn Arboretum to Host “A Celebration of Art at Cylburn”
Dates: Saturday, November 3-Thursday, November 8

The Walters Art Museum and Peabody Library Family Activities
Saturday, November 3 12:00 p.m. – 3:00 p.m.
Greenhouse Classroom FREE

Patron Preview Breakfast: Saturday, November 3, 10:30 a.m.- 1:30 p.m.

Gallery Reception and Sale: Saturday, November 3, 5:30 p.m. – 8:30 p.m.

Lecture by Leopoldine Prosperetti Professor of Art at Towson University will present “Trees in Art: The Artistic Imagination and Arboreal Subjects in Western Painting
2:00 p.m.  Vollmer Center FREE

Location: 4915 Greenspring Avenue, Baltimore

Wednesday, October 10, 2012

Cylburn paintings...

Journey, 30x40, acrylic on canvas, Patricia Bennett
 These are inspired by Cylburn Arboretum and will be on display at the Celebration of Art event there in November.
Urn, 30x40, Patricia Bennett

Friday, September 28, 2012

Painted Event in Mt. Washington


Mt. Washington Event, 24x36, Patricia Bennett
Painted this Saturday, a commissioned event.

It was a great event.  There was a big turn-out, great food, and when it began to rain, people went inside or under the porch.  Children played everywhere, including on a trampoline (included on the far left).

I stood on top of a child's pirate ship, and kids were on the swings.  Note the foot on the right.



Thursday, September 27, 2012

Painting of a Four Season's Wedding Reception...

September 21 Wedding Reception, 24x36, Patricia Bennett
Best Wishes to the couple.


Initial Painting of the Room, on my easel, Patricia Bennett

Close-up of the Initial Paint-in of the room, Patricia Bennett


My Coffee, courtesy of Four Seasons Hotel, Baltimore, Patricia Bennett


Wednesday, September 26, 2012

Coco!

Coco, 18x24", Patricia Bennett
A portrait of Coco.

Coco is named after the great Coco Chanel.

Process:
After taking over 200 photographs of Coco,  I chose my favorite four, and narrowed it down to 2.  I did a mock-up of each one and the client chose her favorite.  (I wanted to paint Coco in a niche, but open sky looked better.)

I began with a black and white painting.  This was to make sure that everything was in the right place, and to give three-dimensional structure.  I added color, more and more...  For inspiration, I listened to the movie about Coco Chanel.

 The entire process began mid-August.